Duel
Duel is a 1971 film based on a short story by Richard Matheson and
directed by Stephen Spielberg in which a lorry driver forces the protagonist
into a road race along the deserted Highways of America. It all starts very
innocently with a car leaving the drive way, driving through town and along
very straight, empty roads where he eventually overtakes a black lorry who
seems to take that a bit personal and overtakes the car driver, almost leading
to a crash. David, the car driver, has appointments to attend to and can’t just
stay stuck behind the lorry, so he tries to overtake again but almost comes off
the road. Seizing the opportunity, the lorry drives David down the mountain at
incredible speed until David manages to slide into the car park of a café,
where at first he feels safe to relax, until he sees that the lorry has pulled
up as well. After a while, the lorry
leaves and David takes his chance, but realises soon after that the hunt is far
from over. Having had enough, and fearing for his life, he abandons his car
which gets driven off the cliff by the lorry.
A very intriguing part of the
film is that the audience as well as David never see the face of the truck
driver, who seems almost like a ghost. Anderson states “From then on, it's a battle of car vs. truck, civilized man vs.
untamed plains. The truck chases him, follows him, tries to run him down, waits
for him, etc. All the while we never see a trace of its driver. It's just a
giant, rusty, chugging, deadly steel monster.” (Anderson, N.A.:3) Spielberg
is perhaps using the faceless truck driver to de-humanize him, emphasising the
hopeless situation David is in. A truck driver is a human that can be reasoned
with, can forgive. But neither the audience nor David ever get to see the truck
driver, he is as a ghost. Instead he is confronted with a huge steel lorry that
never relents, perhaps playing on everyones fears of the unknown and pushing
further home to the viewer a feeling of hopelessness as well as playing on the
old human notion “we fear more the unknown”.
Figure 1. A Normal Day (1971)
Duel is a film that has little conversation but emphasises on action;
the car chase seems almost like a cat and mouse game with the truck being the
unstoppable predator: it’s massive, black, rusty, has the word flammable
written on the back and very predator like behaviour: waiting behind the bend,
the noise it makes could remind one of the growling of a large animal but at
the same time it is chased off and then hides and waits for its opportunity to
attack. As Milne states: “There are no explanations
and no motivations, except perhaps for a hint of allegory in the script (the
motorist's name is Mann) and an intriguing visual suggestion that this is the
old, old battle between the shining, prancing, vulnerable knight and the
impervious, lumbering dragon. Simply
a rivetingly murderous game of cat and mouse that keeps you on the edge of your
seat.” (Milne, N.A.:3) The film perhaps playing on old concepts of a
powerful all mighty villain, motivated by some unknown force chasing its
victim, in this case David, in a duel that almost mirrors old story tails,
where the audience routes for the under-dog.
Figure 2. Back of the Truck (1971)
The music in Duel starts late, quite a while into the film at the first moment
of imminent danger towards David. The music gives a very frantic and hectic
impression, achieved with high pitched strings, and seems to be used to further
illustrate David’s anxieties to the audience and capture the whole feeling of
the danger he finds himself in better. Music is then used not as a backdrop but
as a sign of danger, a prelude to some big event, further pushing home the
danger the main character is facing and the horrific nature of what is
happening around him.
As the film is very action based
there is little dialog which does not seem very important to the director as a
lot of the time when David speaks there is something in between him and the
camera, be it an open washing machine or other large objects that build the
fuzzy foreground. It almost seems as if the audience is not meant to
concentrate on the dialog, since the inner monologues are louder and have a
spacey, no room-feeling to them, while the visuals are clearer as well. Maslin
writes: “Mr. Weaver is David Mann, the
film's only real character, and he's given a few internal monologues that only
awkwardly express Mann's anxiety.” (Maslin, 1983:3) which indicate that the
outside world is not as important to David in his current state of anxiety
which further means that he is hardly concentrating on what goes on around him
but instead on his own fear at the situation facing him from his faceless
enemy. These scenes are perhaps used to communicate some deeper feelings and to
add some clarity to the unfolding events to the audience, after all the movie
has no real scenes of human interaction.
Figure 3. David’s Anxieties (1971)
Another interesting part about Duel is the way the cameras move, most
of the time to give the audience a good impression of what the car chase looks
like and most of all, how David is coping under the stress of what is happening
to him. In some situations the camera is used as well to let the audience take
in the details David is concentrating on, for example when he was sitting in a
café the camera showed a long close up clip of all the drivers boots to
identify the truck driver, which unfortunately was unsuccessful for David but
the fewer details he could find that matched his memories the more panicky and
anxious he got and the camera moved quicker between the details to mimic
David’s fast and desperately moving eyes.
Overall Duel is a very fast paced
film with little dialogue but lots of skill and background and touches upon
topics like man vs. nature, predator against prey and primal surviving instincts
combined with human anxieties when faced with an impossible situation. The film
uses a faceless villain to add further mystery and intense to the situation and
clever devices such as much and close up camera shots to emphasise the terror
of the main character.
Illustration List:
Figure 1:
Spielberg, S. (1971) A Normal Day
[Still of Duel] available from: http://www.rigsofrods.com/attachment.php?attachmentid=357719&d=1354713529
(accessed: 12/02/2015)
Figure 2:
Spielberg, S. (1971) Back of the Truck
[Still of Duel] available from: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaz0ozzTVrg9ltRxSa6K9j05RX3Rn3Zby3UnfmVV_V2sYGiQzh_Bj2cPdZQXZtF1go5shuLsa2p4pmuad48G4LhZ81ToTmwkoE_LR2nlxHFXsAxmQyifDqJSmy6lQm8CEF_a_FhjLHZQrr/s1600/duelflammable.jpg
(accessed: 12/02/2015)
Figure 3. Spielberg,
S. (1971) David’s Anxieties [Still of
Duel] available from: http://thisdistractedglobe.com/wp-content/uploads/2008/04/duel-1971-dennis-weaver-pic-1.jpg
(accessed: 12/02/2015)
Bibliography:
Anderson, Jeffrey. (N.A.) available from: http://www.combustiblecelluloid.com/classic/duel.shtml
(accessed: 11/02/2015)
Milne, Tom. (N.A.) available from: http://www.timeout.com/london/film/duel
(accessed: 11/02/2015)
Maslin, Janet. 1983. Available from: http://www.nytimes.com/movie/review?res=9804EFD81138F936A25757C0A965948260&partner=Rotten%2520Tomatoes
(accessed: 11/02/2015)
Something tells me you enjoyed this movie, Mailin - a nice encompassing review :)
ReplyDelete