La Jetée (1962)
La Jetée,
published in 1962, tells a story of a boy which witnesses himself die which begins
inevitably WW III, and later as a prisoner gets injected a drug that sends him
back to the past to make a connection with the people and find a way to bring peace
to the present. After many trials he is successful in making the required connection
and gets send back to the past permanently where he dies in front of himself
completing the circle of the story.
Figure 1. Main Character
Trialling Time Travelling (c1962)
Unlike most other
films, La Jetée uses a picture book
effect combined with a narrator to tell the story. The stills are held in black
and white and are paced to create a sense of motion that compliments the scenes.
Melin states: “Of the two films, La
Jetée is the one with the
only thing you could call a clear narrative. Narration, sound effects, and some
mumbled German dialogue accompany a montage of still black-and-white
photographs (by Jean Chiabaud) at
various dramatic paces to create the illusion of a moving picture. That is,
with one very notable and subtle exception where an image suddenly moves with a
huge emotional impact.” (Melin, 2012:2) which illustrates that the medium
of the stated picture book effect has been carefully chosen to create something
that focuses more on story telling rather than straight forward plot. The
picture book way of storytelling really helps to imbue the viewer in the story
and creates a much richer atmosphere which helps to bring the characters and
the straight forward plot to life in a unique way.
Figure 2. Memories (c1962)
While La Jetée is
assigned to the science fiction genre, the film doesn’t concentrate on the
technical terms that are usually associated with this genre but promotes one
invention without further explanation on how it works. As Melin states: “La
Jetée may be at once the
simplest and most complicated of time-travel movies because although the plot
is deceptively simple, Chris Marker doesn’t get mired in the complicated
science of how time travel might work. Instead, it’s a stirring, emotional film
about the unique hold memories have over people’s lives and how experiences
themselves are fleeting.” (Melin, 2012:2) This demonstrates how the element
of the “how” of the time travel is completely left out and seemingly
unimportant while the film seems to concentrate mostly on the memories and
emotions of the main character.
Figure 3. Scientist
Still (c1962)
The mad scientist
that is responsible for sending the main character into the past is the only
character who has his own voice, he frequently mumbles in German which might be
the films way of dealing with the happenings in WW II and translating them into
La Jetée. As Hall states: “The presence of German-language voices
calls to mind the grotesque medical experiments conducted in the Nazi
concentration camps” (Hall, 2011:2) which perhaps suggests that this part
of the film is directly relatable to the horrors of history, and might also be
used to make the film seem more realistic and associate it more to this world.
It is also worth noting that the camera always seems to show the scientist’s
face from slightly below, which underlines his power and dominance which
perhaps further relates one sided nature of concentration camps in WW II
history.
The soundtrack is a
very powerful one which compliments the stills of the film perfectly. It is a
mix of a women’s choir, orchestral music and a sound that seems to mimic the
main characters heartbeat. “It (La
Jetée) manages to tell a
gripping, haunting story and create an ominous and powerful atmosphere simply
through the masterly manipulation of frozen images and a subtle soundtrack made
up of heartbeats, whispers, jet engines and other sound effects, as well as Trevor
Duncan's eerie music score.” (NA, NA:2) The writer of this review
states how the soundtrack completes the film which combines simple elements to
something extraordinary which in turn brings alive the film.
Overall La Jetée uses a mix of simple yet powerful devices
to help convey its enthralling yet simple story across to the viewer. The use
of still images and complimenting music bring the story to life and the unusual
format of a science fiction movie concentrating more on characters and feelings
rather than the science behind the events gives La Jetée a truly unique atmosphere
and tone which sets it apart from other movies in its genre.
Illustration List:
Figure 1: Marker,
Chris. (1962) Main Character Trialling
Time Travelling [Photograph for La Jetée].
Available from: http://revistacarbono.com/wp-content/uploads/2013/06/la-jetee-2.jpg
(Accessed: 6/1/2015)
Figure 2: Marker,
Chris. (1962) Memories [Photograph
for La Jetée]. Available from: http://static.guim.co.uk/sys-images/Film/Pix/pictures/2009/3/27/1238174723232/Scene-from-La-Jetee-1962-001.jpg
(Accessed: 6/1/2015)
Figure 3: Marker,
Chris. (1962) Scientist still
[Photograph for La Jetée]. Available
from: http://i.kinja-img.com/gawker-media/image/upload/s--gKe74HBG--/nsgok59ahnz1td1bvcsx.jpg
(Accessed: 6/1/2015)
Bibliography:
Melin, Eric. (2012): Available from: http://www.scene-stealers.com/columns/overlooked-movie-monday/la-jetee-sans-soliel-blu-ray-review/ (Accessed: 6/1/2015)
Hall, Phil. (2011) Available from: http://www.filmthreat.com/features/34818/
(Accessed: 6/1/2015)
NA. (NA) Available from: http://movies.tvguide.com/la-jetee/review/132177
(Accessed: 6/1/2015)
Hi Mailin,
ReplyDeleteGood to see you getting stuck straight into the reviews again :)
All-in-all, a thoughtful review... just a note on your font - do you think you could change it to something a bit more basic such as Arial, as I am finding it is giving me a bit of a headache, especially when it changes to italics! I don't know why that should be....just my old eyes, I guess!
Thanks!
ReplyDeleteHave changed the font now, I do find Arial too boring so I hope we can meet in the middle with this one!